The following article is a non-spoiler review of La Máquina after a free screening of the first episode, and early access for the remaining episodes.
Being both a huge boxing and movie fan, I have consumed nearly all the boxing dramas out there, whether it be Rocky, Creed, The Fighter, Southpaw, etc. Despite the number of boxing stories made for the big screen, there have surprisingly been very few created for television. So when I heard Disney+ were debuting a boxing limited series starring Andor’s Diego Luna, one of my favourite actors from one of my favourite franchises, I instantly knew I’d be watching the whole thing.
What immediately surprised me was that the series, despite starring some huge actors known in the American/English-speaking market, is spoken entirely in Mexican, and it’s something I actually appreciated. While I was aware the series was set in Mexico, I hadn’t researched its language details. A very common mistake Hollywood makes is “Americanising” everything, setting media in certain countries, yet everyone speaks English. Today, it’s a bit more on trend to keep the language faithful to the region, whether it be Squid Game, Dark, or Money Heist. While I’m usually one to dub, the screened first episode was shown in Spanish with subtitles, and I will never select dubbing again.
La Máquina has quite clearly been developed by a creative with a love for boxing, as is evident from the show’s accuracy for the sport and its behind the scenes, even touching on the less dramatic aspects such as the commissions. The series even goes so far as to feature broadcast personalities known to the boxing world, such as famed ring announcer David Diamante, and sport pundit Stephen A. Smith.
Researching the series’ developer, Marco Ramirez, it is evident why he created this drama. While I knew him for his work on Marvel’s Daredevil, a show with heavy boxing elements, Ramirez has also produced The Royale, a Broadway play released in 2016. Having read a quote he gave discussing his approach when creating this play, I understood why La Máquina was a story Ramirez had to tell:
“As a sport, its stripped-down aesthetic resonated with me because it felt like the simplest, purest form of theatre. Two enter the ring. One wins. End of story.”